SAP came with a brief that was more feeling than form—“Vietnamese culture, with a futuristic twist.” No references, no layout. Just that. So I did what felt right: I picked up my pen and drew. Not to impress. Just to start the conversation. I thought of Sapa, the Red Dao, the pattern of a circuit board, rice terraces turning digital. It wasn’t meant to be final—it was just me trying to understand what this idea could become. They didn’t pick the sketch. But it helped all of us see where we might go.
